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Querying whether copying is similar to imitation and even to creativity where contemporary practices such as mixing, jockeying, open-source, reflection have become a norm. This line of inquiry focuses on mimesis as practice: acts of imitation, simulation, or assimilation. Are copyright rules and licenses suitable for nowadays potency of creativity?
The organization of the world according to similarities, to perceive patterns and make them legible through their semblance, is as much part of the creative economy as it is a characteristic of such forms of knowledge that are regarded as being pseudo-scientific.