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In March 1962, just after lunchtime an experimental nuclear bomber, the Handley Page Victor, crash landed into a farmhouse in Lincolnshire.
Through conversations with a woman who was in the house at the time, her farm foreman who rescued both her and her husband, and a former pilot of the Victor bomber, Death Comes Home to Farm utilizes documentary forms to explore embodied memory, the generative capacity of trauma, shared experience, the technologization of the landscape and the creation of space in the air, the oppositions between post war EU civilian collaboration and military isolation, and the scalar intersections of the Global and the Local.