3’51”
2014
An interactive animation that explores the relationship between visual and musical rhythms, glitches and distortions. The title refers to the point at which a person observing the creature or object in question sees something that is nearly human, but just enough off-kilter to seem eerie or disquieting. The term “The Uncanny Valley” was first developed in the 1970s by Japanese roboticist Masahiro Mori to describe the profoundly unsettling sense of the non-human in human-like figures.